The Origin of German Tragic Drama
by Walter Benjamin Translated by John Osborne Introduction by George Steiner
Part of the Radical Thinkers series
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Paperback with free ebook
256 pages / June 2009 / 9781844673483

Not in stock

July 2020 / 9781789604726

Benjamin's most sustained and original work, and one of the main sources of literary modernism.

Cited by Lukács as a principal source of literary modernism, Walter Benjamin’s study of the baroque stage-form called Trauerspiel (literally, “mourning play”) is the most complete document of his prismatic literary and philosophical practice. Engaging with sixteenth- and seventeenth-century German playwrights as well as the plays of Shakespeare and Calderón and the engravings of Dürer, Benjamin attempts to show how the historically charged forms of the Trauerspiel broke free of tragedy’s mythological timelessness. From its philosophical prologue, which offers a rare account of Benjamin’s early aesthetics, to its mind-wrenching meditation on allegory, The Origin of German Tragic Drama sparkles with early insights and the seeds of Benjamin’s later thought.


“Walter Benjamin is the most important German aesthetician and literary critic of [the twentieth] century.”

“He drew, from the obscure disdained German baroque, elements of the modern sensibility: the taste for allegory, surrealist shock effects, discontinuous utterance, a sense of historical catastrophe.”

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